Listening Time

Free Spirit Publishing
Elizabeth Verdick
Illustrated by Marieka Heinlen
2008
Rating: Y


Listening Time is a board book with beautiful, realistic drawings of children learning to listen during story time. Part of a series of "Toddler Tools" (including Sharing Time and Manners Time), Listening Time demonstrates important social skills while also promoting a positive perspective on racial diversity.

We added this book to our personal collection after searching out board books that featured multi-racial characters. This was one of the few books in the bookstore that showed characters with an array of racial backgrounds interacting with one another. It was also one of the few books that portrayed African American characters without being thematically "African American." That is, this book does not draw attention to race or use race as a plot point. It just so happens that the children in this classroom have a variety of skin tones and hairstyles.

By illustrating racial diversity without drawing attention to race, this book works to deconstruct stereotypes. While discussing the realities of racial inequality with children is important, that conversation needs to be age appropriate and balanced by portrayals of race as a neutral characteristic. Board books are obviously aimed at very young children, and it is important that these infants and toddlers see images of people of color as a part of day-to-day life.

Furthermore, all of the children in this book are well behaved and learning to communicate and listen effectively. While many images in the media portray children of color (especially black boys) as being rowdy and uncontrollable, this is a positive message that demonstrates the value of every citizen.

Bottom Line-
Listening Time offers a positive message on social skills through a racially diverse cast of characters. 

Tangled

Walt Disney Pictures
2010
Rating: Maybe (G)

Overview: Tangled does a good job of playing to Disney's strengths. Through animation and dialogue, the characters come to life with a lot of personality and humor. The songs are catchy and fit into the plot. My favorite character is Pascal the chameleon, who--without ever saying a word--manages to make his opinions perfectly clear.



The story is an updated version of Rapunzel, where the stolen princess longs to escape her emotionally manipulative mother and the tower she's trapped in to see the lights that appear on her birthday. When a dashing young thief accidentally lands in her tower to escape pursuit, she knocks him unconscious and hides his loot until he agrees to take her to see the lights. Adventure ensues. Tragedy is at hand. The princess and prince live happily ever after.

The Good:

Gender- The princess isn't spending her days pining for a man to rescue her. She uses the prince only because he has the knowledge for how to get to the lights. She isn't looking for a husband, and once the journey takes off, she's an active participant in solving problems. What's more, she doesn't only solve problems through critical thinking, but also through strength and physicality (swinging across chasms on her hair, digging into a pile of rocks to avoid drowning). This princess is no weakling, and she could definitely stand in as a strong role model.

The prince also has some positive gender characteristics. Like the prince from The Princess and the Frog, Flynn undergoes some actual character development during the film, a great improvement over earlier princes who remained static in their role as strong, unemotional heroes. His love for the princess is a genuine growth out of friendship and respect, and we watch him soften from a greedy thief to a more complex person with real emotional responses.

At one point, the prince takes the princess to a bar full of thugs to try to scare her into giving up the quest. Timid, but undeterred, the princess asks the men if they've ever had a dream. Their responses involve dreams of interior design, cupcake-baking, and knitting. At the end of the film, many of these men are living out those desires on a public forum, so the film does make some strides toward normalizing stepping out of gendered roles.

The Bad

Gender- Look, I'm not anti-marriage, but the plot doesn't always have to end in one. Isn't escaping a deranged woman who pretended to be your mother and kept you locked in a tower for eighteen years thrilling enough?

There are also some subtle gender issues that the film raised for me. The princess has a penchant for knocking around anything threatening with a frying pan, which reeks of stereotype and suggests that violence is funny as long as it's a woman beating a man, and not the other way around. Also, the idea that blonde hair is "magic" and that brown hair is the remnants of destroyed magic hair is problematic as far as beauty standards.

The body image portrayed in the film is typical of Disney. Pretty women are ridiculously thin and big-breasted. Handsome men are tall and muscular with small waists, big chests, and bulging biceps.

Race- Race? What's that? The characters in this isolated magic kingdom are overwhelmingly white.

Bottom Line-
Tangled takes steps in the right direction to move Disney princesses into roles where they are more than simply husband-seeking victims. Rapunzel is a capable woman who shows off her power and personality at every turn. While there are still overtones of the typical princess-needs-a-prince motif, I don't want to dismiss the progress outright.

What Other People Say-
See some other equality-based critiques of the film at The Stir, Feministing, and NOW.